The Paramount Theater production of Hamilton is the most perfect meld of music and lyrics that burst forth with mind blowing rhythms and rhymes that take you on a time- travel excursion of a story in U.S. history in a way that we never learned in school. The songs are delivered by magnificent voices that emote soulful exuberance and driving meaning. The unity of mind bending music, brilliant lyrics penned with pluck and wisdom Interwoven with choreography that pings with electricity, every step, tap, head or hand movement adds to the depth of awe that penetrates the spectator’s mind with unpredictable undulation, the set, lighting and costumes thought out to the nth degree, equate to a production tallied with nothing less than genius feat.

I saw the first Saturday evening performance in Seattle. I already knew the story and the music very well, so I was very excited to finally see the performance. The lighting, sets, costumes, choreography, dancers, and music were fantastic. The audience was very enthusiastic throughout. My seat was on the main floor 5 rows from the back in one of center sections, and it was satisfactory. Because of some of the subject matter, I would not recommend taking kids, though teens would be OK. Anyone who is sensitive to obscenities should be aware there are a few swear words in the dialogue. Also beware that they are strict about the 15-minute intermission, even with long lines still at the restrooms. Most of the principal actors did a very nice job, but I was very disappointed with Joseph Morales as Hamilton. His voice was monotonous, and he just lacked vim and vigor overall, especially compared to the rest of the cast who were mostly very energetic and expressive throughout.

Saw Hamilton in NYC for our anniversary in Jan. I happened to be in Seattle this weekend and saw it again. Both were fabulous. It was great seeing it on Broadway, especially since it is set in NYC. I was curious to see how Seattle compared. I had listened to the soundtrack many times and read “Hamilton - The Revolution” prior to NY. I recommend doing both. The show was amazing although it was hard not to make comparisons to the well produced soundtrack. I am happy to say that Seattle did not disappoint. The Paramount is an amazing venue. The show was every bit as good as the Broadway productions. I felt that many of the characters were actually stronger than the NYC cast that we saw. Eliza and Burr, in particular, were amazing. The cast was much more engaged and interactive with the audience. Many more laughs (there are many funny moments) and some minor choreography changes which I liked. Only disappointment was the king who went from brooding and understated to childish. Go see it!

I've admired Rocky Bleier since the 1970's not only for his play on the field but for his personal integrity, fortitude and determination both on and off the field. We were privileged to attend the initial performance at Heinz Hall and were extremely impressed. Yes, this is his own story but his presentation skills make it a worthwhile, inspirational theatrical event for the whole family. And the venue of the O'Reilly in the heart of Pittsburgh's cultural district makes for easy access to a number of excellent restaurants for pre- and post-performance dining.

It’s the show everyone is buzzing about. While opening night had a couple of sound glitches, I was not disappointed. The lyric, choreography & production all delivered. If you don’t know much about the musical, each act is a series of songs. There’s not much need for talking as the music carries the show. In particular, Eliza was incredible. Get tickets if you can!